SKU: 23839134704
jhs pedals kilt

jhs pedals kilt JHS Pedals Limited Kilt 10

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Description

jhs pedals kilt JHS Pedals Limited Kilt 10After ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before. WHERE IT BEGAN In 2015 we launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?), and we never looked back. He wanted a pedal that could cover any ground he needed for his

After ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before.

WHERE IT BEGAN
In 2015 we launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?), and we never looked back. He wanted a pedal that could cover any ground he needed for his studio work and extensive touring gigs across the globe. From that request, the Kilt was born, and ever since, it has been one of our best-selling overdrive/distortion pedals year after year.

THE EVOLUTION OF OVERDRIVE
The original Kilt carved out its own space in a crowded field by focusing on clarity, versatility and musical responsiveness. But over the years, we kept hearing the same requests: more headroom for cleaner tones, more audible effect from the flat/cut toggle, and more control over the low-gain textures. The Kilt 10 addresses every one of these requests while maintaining the DNA that made you fall in love with the Kilt in the first place. It's what you love but better.

WHAT'S NEW FOR 2025
An Updated Look – The finish returns to polished aluminum as a tribute to the original Kilt V1, now paired with classic Expandora-style knobs. It’s wrapped up with a refreshed Kilt icon that cleverly nods to both the Scottish flag and the Roman numeral “X” to represent ten years.  

  • Improved Gain Control: The gain knob now offers a far more usable range from 0-25%, unlocking articulate, low-gain textures that weren't previously accessible. No more dead zones — just smooth, musical breakup from whisper-quiet to full saturation.
  • Enhanced High-End Clarity: We've refined the top end to help the pedal cut through a mix with greater definition, which is especially noticeable in live band settings where every bit of clarity counts.
  • Increased Volume Headroom: More output on tap translates into a more responsive tone across your entire rig, adding dimension and feel whether you're hitting a clean amp or stacking with other drives.
  • Refined Toggle Switches: The gain toggles have been tweaked for more usable gain parameters while keeping the pedals original feel and settings. The Low-Cut toggle is now far more amp-friendly, working well across a wider range of amplifiers (including amp modeler pedals and software).
  • Diode Choice Enhancement: A new clipping circuit adds more touch-sensitive feel and nuance without departing from the pedal's core identity. It has slightly more compression, distortion on tap, and a smoother attack. Think Kilt V2 but bigger. From the first chord you play, you will love how it feels. 

HOW TO USE IT
The beauty of the Kilt 10  is that it functions exactly like the Kilt V2. With G1 down and G2 up, it acts like a higher gain stage boost—perfect for pushing your amp's front end or stacking with fuzz. Flip both toggles up and you get that massive wall of saturated British overdrive that made the original famous. The improved gain sweep means you can dial in everything from edge-of-breakup rhythm tones to singing lead saturation to all out gated spitting fuzz.

The enhanced headroom and clarity make this version particularly suited for complex chord work and intricate picking patterns that would get lost in lesser overdrives.

And don't forget—the Kilt comes equipped with proprietary JHS Red Remote circuitry that allows you to switch the gain toggle on-the-fly for instant changes between overdrive and distortion, or distortion and fuzz!

CONTROLS

  • VOLUME - Controls the output volume. Left is less, right is more.. More headroom means you no longer have to turn your volume up past noon and you have more ability to use as a boost.
  • GAIN - Controls the amount of drive or distortion. Left is less, right is more. Never before has the first 25% of the gain range been so usable. You will find transparent overdrive textures that were never before possible as well as the familiar and much loved gating fuzz abilities that the last 25% of the range offers.
  • TONE - Controls the amount of brightness. Left is darker, right is brighter. High-frequency control with enhanced clarity and improved amp compatibility.
  • G1 / G2 TOGGLES - These toggles work together to give you up to 4 different resistance clipping options. Both toggles down is the lowest gain setting. G1 up gives you more overdrive. G2 up gives you more fuzz. Both toggles up gives you the heaviest gated fuzz the Kilt offers! The G2
    toggle can also be engaged by a Red Remote.
  • LOW-CUT TOGGLE - The down position is flat EQ, while the up position is the “cut” mode with less bass. In “cut” mode lows are reduced  for an overall tone that cuts through the mix like never before.

JACKS

  • INPUT - Lower jack on the right side of the pedal.
  • OUTPUT - Jack on the left side of the pedal.
  • RED REMOTE - Upper jack on the right side of the pedal with a red washer.

The Kilt 10 isn't about reinventing the wheel — it's about perfecting it. We've taken a decade of player feedback, countless hours of refinement, and distilled it into what we believe is the most complete version of this classic circuit we've ever made.

VERSION HISTORY
Kilt V1 = Larger enclosure; two foot switches; independent boost on right side; four knobs
and four toggles.
Kilt V2 = Smaller enclosure; three knobs and three toggles; Red Remote system added.
Kilt 10 = 10 Year Anniversary Special Edition Mod released in 2025. Polished aluminum finish with Expandora-style knobs. Updated Scottish flag-inspired icon

THIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 64mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 23839134704

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Reviewed in the United States on August 8, 2024
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eric booth
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★★★★★ 5
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Format: Hardcover
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Bernard J. Jones
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Clarence A. Dillard, Jr.
San Leandro, US
★★★★★ 4
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The third and final Simpsons Treehouse of Horror Omnibus is here! Well, actually it debuted in August and I kept waiting on it to show up at my favorite comic book shop. But for one reason or another, the book never came. Once my guys determined that the distributors weren't going to fill the order request, I went to Amazon and ordered it myself. I hate not being able to support a local small business like that... 'Fiendish Fables of Devilish Delicacies' might be the best of the bunch. It features a bunch of celebrity writers taking horrifying shots at America's Favorite Family. Comedian Thomas Lennon and Rocker Rob Zombie are among those who contribute. But it was the re-pairing of 2 iconic teams from the pages of comic history that were my favorite out of all 3 volumes. Swamp Thing co-creators, Len Wein and Bernie Wrightson, join forces once again to pose a tale that suggests what might have happened if Homer was killed and put into a vat of Apu's Squishee mix to become the Squish Thing! Then Marv Wolfman and Gene Colan reunite to propose what would happen if Homer lead a team of vampire hunters against the dreaded Count Dracula. I must admit it took me a couple of pages to realize that this was a parody of Marvel's The Tomb of Dracula horror comic from the 70s and not a send-up of Universal's Dracula. However, once I did, I was enthralled because I cut my horror comic lovin' teeth on that series! Colan's artwork was so stunning. It looked 3-D. Artists today can barely make classic comic characters look 2-D. When you read that story, you are in the presence of genius. 2 geniuses! Speaking of bad art, there was one story called 'Boo-tleg' in which the Kwik-E-Mart is selling poisoned Halloween candy to the citizens of Springfield. To hide his crimes, Apu keeps making clones of the townsfolk. But the results are less than ideal. I get the premise of the story and I liked the satire of the effect cloning could have on society. Yet, the artwork looked like really poor computer animation. Like so bad, it makes the Dire Straits music video, 'Money For Nothing' look modern! One thing I had been missing were the covers. This book includes that much desired cover gallery. I still never got the Treehouse of Horror Halloween annuals printed in order; but at least I now have all of the material that would be included, if I owned the entire set. But there are lots of extras that only appeared in the trade collections. So that makes this a super-omnibus. Even with the near $150 I paid for all 3 volumes, I came out on top. Prices for some of those annuals are with price tags of $30-$50 each. No way in heck am I going shell out that type of money for a Simpsons floppy; no matter how much I love Halloween books! Now if only Harry N. Abrams would collect the Simpsons Winter Wingdings and other seasonal Holiday material in an omnibus or two... They saved the best material for last!
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Reviewed in the United States on October 27, 2024

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